The Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody 컴플리트 재즈 기타 메쏘드: 상급, 코드/멜로디 교재 [00-14116]

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The Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody 컴플리트 재즈 기타 메쏘드: 상급, 코드/멜로디 교재 [00-14116]

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The Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody 컴플리트 재즈 기타 메쏘드: 상급, 코드/멜로디 교재 [00-14116]

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The Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody 컴플리트 재즈 기타 메쏘드: 상급, 코드/멜로디 교재 [00-14116]

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The Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody 컴플리트 재즈 기타 메쏘드: 상급, 코드/멜로디
Guitar Standard Notation & TAB Book

출판사	Alfred
저자	Jody Fisher
아이템 #	00-14116
ISBN	9780739009581
분량	64 페이지
원산지	미국

컴플리트 재즈 기타 메쏘드 시리즈의 상급으로, 코드와 멜로디를 집중해서 다루고 있는 교본입니다. 음원은 포함되어 있지 않습니다. Your guitar becomes the ultimate jazz solo instrument when you master the techniques and concepts in this book. Picking up where the harmony lessons in Intermediate Jazz Guitar leave off, topics include melody and harmony integration, bass line development, chord enhancement, quartal harmonies, and how to arrange a guitar solo. Learn to simultaneously play the harmony, melody, rhythm, and bass parts of any song! Concepts are illustrated with lots of examples to practice, including arrangements of some traditional melodies. All music is shown in standard notation and TAB, 64 pages. - Contents - ABOUT THE AUTHOR INTRODUCTION CHAPTER 1 -- RIGHT HAND OPTIONS Pick Style Fingerstyle Chords Pick and Fingers Technique CHAPTER 2 --COMBINING MELODY AND HARMONY Lesson 1: Recognizing Chord Tones Lesson 2: Guidelines for Arranging Lesson 3: Chord Enhancement Home on the Range CHAPTER 3 -- TECHNIQUES FOR HARMONIZING NON-CHORD TONES Lesson 1: Diads Blue Bell of Scotland Lesson 2: Adding the Non-Chord Tone Beautiful Dreamer Lesson 3: Voice Leading Lesson 4: Passing Chords Virginny Blues in G Diminished Chords mi7 flat 5 (Half-Diminished) Chords Blues in F Lesson 5: Quartal Harmony Single Notes Octaves CHAPTER 4 --ENHANCING CHORD PROGRESSIONS Lesson 1: Passing-Chord Approaches Lesson 2: The IV-I Approach Lesson 3: The V7-I Approach Lesson 4: The ii-V7-I Approach Rum and Coke Lesson 5: Backcycling Approaches Lesson 6: Tritone Substitution Approach Lesson 7: The Flat V7-I Approach Lesson 8: The ii-V7-I and Alternate Cycles Lesson 9: Surprise Chords CHAPTER 5 -- SIMULTANEOUS CHORDS AND WALKING BASS LINES Lesson 1: The Basic Voicings Lesson 2: Bass Lines---Scalewise Approach Lesson 3: Bass Lines---Half-Step Approaches Lesson 4: Bass Lines---Rhythm Lesson 5: Bass Lines ii-V7-I Patterns Everything You're Not Lesson 6: Bass Lines---Combining Techniques Accompaniment for Everything You're Not CHAPTER 6 -- SEARCHING OUT NEW VOICINGS Lesson 1: Moving Voices Lesson 2: Symmetrical Chord Movement Coda 1---A Medley of Suggestions and Musical Concepts for Chord-Melody Playing Creating Arrangements Listening to the Greats Reality Check Byesville CHAPTER 7 -- IMPROVISING OVER ALTERED DOMINANT CHORDS Lesson 1: The Diminished Scale Train Lesson 2: The Whole Tone Scale Once Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale) Moon Lesson 4: Using the Altered Scale Over a ii-V7-I Progression Lesson 5: Targeting the Altered Chords---The Altered Clusters Lesson 6: Revamping Licks CHAPTER 8 -- THE MINOR SCALES AND THEIR MODES Lesson 1: The Melodic Minor Scale Lesson 2: The Modes of the Melodic Minor Scale Lesson 3: Arpeggios in the Melodic Minor Scale Lesson 4: The Harmonic Minor Scale Lesson 5: The Modes of the Harmonic Minor Scale Lesson 6: Arpeggios in the Harmonic Minor Scale Lesson 7: The ii mi7 Flat 5-V7 Flat 9-i mi7 Progression CHAPTER 9 -- USING ARPEGGIOS Lesson 1: Chord Superimposition Lesson 2: Melodic Patterns Based Around Arpeggios Lesson 3: Melodic Patterns Based Around Chord Shapes CHAPTER 10 -- EIGHT-TONE SCALES The Eight-Tone ii-V7 Scale The Eight-Tone I Scale CHAPTER 11 -- CONNECTING YOUR IDEAS Lesson 1: The Chromatic Connection Lesson 2: Accentuating the Difference Between Keys Lesson 3: Repeating an Idea in Different Octaves Lesson 4: Rhythmic Motives Lesson 5: Melodic Connection Lesson 6: Diatonic Connection Coda 2---A Medley of Suggestions and Musical Concepts for Improvisation Playing on the Extensions Using Advanced Pentatonics Playing on the Extensions Using Tones from 13 Chords Playing with Wider Intervals Octave Displacement Symmetrical Motives Conclusion 수입악보 \| 음악서점 국내재고 \| 빠른배송 뮤직앤북스